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Technique and methods

465 conversations in this channel.

  • . A thorough demonstration and conversation about the technical regimen Adele Marcus suggested for her piano students. Tori Stødle - Professor of piano, Faculty of Fine Arts, University of Tromsø, Norway Sindre Myrbost...

    Last reply 10 years ago
    4 replies
  • In a recent lesson with Alan we were working with playing détaché, in the context of arpeggio technique. Since then I've been playing around with different types of non-legato in places where I'd normally play legato. As...

    Last reply 10 years ago
    0 replies
  • Alan's exercise to raise the metacarpal arch - imagining a string tied round the forefinger knuckle, pulling back to to shoulder gently - got me experimenting: I noticed i could get the same result with a different proce...

    Last reply 10 years ago by Alanfraserpiano
    4 replies
  • I don't know if I've come to the right place. I've recently returned to piano playing. I have gone from playing nothing to playing a lot in a short time, and started experiencing pain in my left thumb (at the MCP joint)...

    Last reply 10 years ago by Alanfraserpiano
    2 replies
  • hi alan, i really enjoyed your all thumbs lecture on youtube (). the sliding corkscrew motion for the thumb is great, but i would like to hear more about finger corkscrews. with the thumb corkscrew, the thumb rotates...

    Last reply 10 years ago by Alanfraserpiano
    2 replies
  • Have been practicing Chopin's Op 69 No 2 and after a few months I can play most of the parts in tempo. Being primarily a guitar player I think that my problem has something to do with the fact that the right hand is just...

    Last reply 10 years ago
    7 replies
  • Just did the 2 and 3rd part of Falk Feddersen's exercises on "opening the shoulders" The first is useful in a more broad abstract sense, but the 2nd and 3rd are EXTREMELY useful for pianists. I came up with the chain...

    Last reply 10 years ago
    7 replies
  • What is a good book or resource on applying feldenkrais to singing? as an improvising pianist, i sing lots at the piano but tend to strain my throat. Also, like most musicians I would like to become a better singer anyw...

    Last reply 10 years ago
    2 replies
  • 0 replies
  • firstly, this is not a replacement for finger technique. it's a theory about how armweight technique SOMETIMES works without direct attention to fingers. I don't recommend that. This comes off the back of the realisation...

    Last reply 10 years ago
    20 replies
  • Hi I know that your question is directed to prof. Fraser. If you ask me (which you do not) firing up a public, playing musically, and winning competitions seems at a young age as opposed and irreconcilable tasks. With e...

    Last reply 10 years ago
    2 replies
  • Hello, I'm posting because I'm in a rather frustrating situation these days with my playing. Some pieces I play I can play consistently well. For example, I can play the Waldstein very well. However, there are these two...

    Last reply 10 years ago
    0 replies
  • I have just finished reading 'Honing the Pianistic Image'. It's absolutely amazing. This and the Craft of Piano Playing are the best books on piano playing by miles. I think I was fortunate that Yonty Solomon had introdu...

    Last reply 10 years ago by Alanfraserpiano
    7 replies
  • Just written a post categorising the two basic unison scale fingering (which comprehensively covers 22 out of all 24 keys plus the two exceptions required for B flat and E flat). This a slightly edited version of a docum...

    Last reply 10 years ago
    38 replies
  • Another Free for All lesson was just published! It's a lecture Alan gave in 2012, Smith College. Part 1 out of 4 is free for all! Subscribe for access to this mini series and hours of teaching material already availa...

    Last reply 10 years ago
    17 replies
  • First of all, ascertain which of the two notes sounds first. Then practice doing the reverse - play them not together on purpose, but with the other note sounding first. Note what changes in sensation you feel in your ha...

    Last reply 10 years ago
    2 replies
  • Season 2, we are back!

    Last reply 10 years ago
    0 replies
  • I'm a piano intermediate/beginner, having played badly (and with bad habits) for five years in childhood. I'm taking it up again and want to do it right this time. I had one amazing lesson with Alan via Skype. We focused...

    Last reply 10 years ago by Alanfraserpiano
    2 replies
  • Thank you Andrew for that clarification - very valuable! AFF

    Last reply 10 years ago
    24 replies
  • Hi all, I know my last post was not very specific so I have a more specific question to ask now. I've been noticing that playing difficult technical passages loudly has helped improve my overall technique. In particular...

    Last reply 10 years ago
    2 replies
  • Hello Paul and the rest of you, I like Paul's answers here a lot and would agree. Furthermore, the more you practice grasping, the more the grasping action will begin to be present in your hand as a background fact, ge...

    Last reply 10 years ago
    9 replies
  • Andrew, I suspect you may have missed the entire point of Guerrero's finger tapping exercise. It is not to find the anomalies in your finger's position and improve them: the point is to feels itself and based on that sen...

    Last reply 10 years ago
    45 replies
  • Andrew you are absolutely right, and you've hit on something extremely important - bravo! AFF PS I see you are gunning to get hired as a writer too!

    Last reply 10 years ago
    10 replies
  • My practise recently has revolved around the question in the title and I'm reaping huge benefits from such a simple question. There's a great (and very rich) ATM on openatm.org called Legs Pushing Pelvis and Rocking Back...

    Last reply 10 years ago
    0 replies