| Timestamp | Lesson | Submitted by |
|---|---|---|
| Bad technique generally produces bad music | Glenn Gould piano technique | Jovan |
| Glenn Gould from a point of view of a Feldenkrais person | Glenn Gould piano technique | Jovan |
| Starting from Porcupine: William Aide | Glenn Gould piano technique | Jovan |
| What were his problems then? (according to his journals) | Glenn Gould piano technique | Jovan |
| Glenn was not slouched, his body was arched in an elastic flexion | Glenn Gould piano technique | Jovan |
| When you sit high, there is a great tendency to compress the keys | Glenn Gould piano technique | Jovan |
| The lower you sit, the bigger the soubd | Glenn Gould piano technique | Jovan |
| Glenn Gould had a wonderful piano technique and you hear it in the sound | Glenn Gould piano technique | Jovan |
| There are so many different touches, each of them has it's color | How to play pianissimo on piano | Jovan |
| The kind of sound that "carries" | How to play pianissimo on piano | Jovan |
| Sliding gives elastic hand structure | How to play pianissimo on piano | Jovan |
| Elastic sliding - another way | How to play pianissimo on piano | Jovan |
| Pressing down does not give control | How to play pianissimo on piano | Jovan |
| Skeletal connection - fingers are independent from the wrist | How to play pianissimo on piano | Jovan |
| The basic idea behind playing pianissimo - join the skeleton to the key | How to play pianissimo on piano | Jovan |
