Massive Sound in Liszt without Banging

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Massive Sound in Liszt without Banging

Massive Sound in Liszt without Banging

Liszt-WIlde Jagt-Transcendental Etude

Liszt sound strength free

Dec 14, 2017

Remon

Second theme - lay palm inside the keys Bones vs. Muscles Drop the hand - reverse arch End of performance Musical structure needs fuller sound at times: how? Massive sound without banging: join hands to keys refers to the lie-on-side-slide-hands-on-arms ATM Remon discovers elasticity; electrifies his sound Audience want to feel blown away, NOT attacked. Be close, otherwise you end up hitting the keys Living on the edge-Abandon need for security

Sample Piano Technique Lessons

Episode 1 - Chopin-Hand Structure in the Harp Etude Part 2 14:11

Episode 2 - Chopin-Etude Opus 10 No 1 23:37

Episode 3 - Working With Large Architectonic Structures in Music 15:12

Episode 4 - Hand Arch-Thumb Activation Exercises 46:34

Episode 5 - Massive Sound in Liszt without Banging 50:53

Episode 6 - Improve Hand Organization for More Beautiful Sound in Fats Waller 20:39