Liszt
79 videos tagged with this topic.
Alan's vision - darkness, delirium, and the fight for ascendancy
Alan breaks down how to make music feel disorienting, tense, and emotionally unsettling
Liszt - Vision - Performance and why the thumb is runining your piano tone
Think softening your thumb makes impressionist passages sound more delicate? Think again. In this lesson, we dig into measures 32–33 and discover how a powerful, accented thumb launch is the secret to fluid, marble-like tone, not the enemy of it
Balanced and free, the sound comes out of movement, not compression
Franz Liszt technical exercises - 8 dynamic levels
Liszt - C major transcendental etude
Liszt - C major transcendental etude
Liszt - Mephisto Waltz No. 1
Kemal's rendition of Mephisto Waltz No. 1 (Montreal, Canada, 1988)
Mephisto Waltz Rockets
Alan is attempting to not only avoid the injury but actually heal his shoulder by approaching this segment properly
Play Mephisto Waltz from Injured Point of View
In other words, really dissect the score and learn it in a way that cultivates healing of Alan's injury
Liszt Paganini Etude No 2
04:37
Liszt Paganini Etude No 2
04:49
Not too much Pedal
and a few other things too. Remember, this is a Paganini etude
Liszt Paganini Etude No 2
07:48
Magical Moments that Matter
Series wrapup. And we also talk about that magic in sound that means a difference
It Needs to Sound
No matter what you think about the music or the score, it really needs to sound/resonate/vibrate..
Kemal Gekic Recital - Kragujevac, Serbia 2017
06:13
Kemal Gekic Recital - Kragujevac, Serbia 2017
06:21
Massive Sound in Liszt without Banging
Liszt-WIlde Jagt-Transcendental Etude
The Whole Structure of the Piece
We are talking about the structure and Kemal points out that everything played must really sound well
Mystery Hidden in the Layers of Sound
We are moving through the piece and talking about the sound differentation, layers
Franz Liszt - Early Life
We are talking about Listz's early life, up until the moment he moved to Paris
Interesting Harmonies
We are covering dolce appassionato and presto sections and talking about the character, harmonies..
Striking Effects
We are talking about dynamics and some interesting effects one should do when playing this waltz
Liszt and Musical Meter
Kemal talks about meter and how elastic it can be in Liszt's compositions.
La Campanella - Opening
Ten minute segment on the famous La Campanella opening
Chopin and Liszt
We are talking about their personal relationship in this short video
Suggestion-Accents-Non-Accents
Kemal is looking for a specific dirty sound and explains the difference between accents and non accents
Architectural Planning in Music
The piece has its own life and dynamic. A performer needs to be well aware of those
What is this Waltz All About
Stefan performs for Kemal and they start working on the piece, trying to understand what it is about.
The Best Mephisto Waltz
Alan and Jan dig deeper into the waltz and talk about elasticity, structure, Mephisto's character.
Liszt-Transcendental Etude No 8 Wilde Jagd Part 9
Part 9 and the series wrap up. Kemal points out how much the actual performance and playing for audience matters.
Liszt-Transcendental Etude No 8 Wilde Jagd Part 8
Part 8, more on dynamic levels, articulation and voicing.
Liszt-Transcendental Etude No 8 Wilde Jagd Part 7
As we progress throughout the etude, we get to talk about sound levels
Liszt-Transcendental Etude No 8 Wilde Jagd Part 6
We are talking about the main two themes, artistic freedom and getting down to the nitty gritty of this etude.
Liszt-Transcendental Etude No 8 Wilde Jagd Part 5
Metric, dynamic contrasts, a bit more on Liszt and how he composed..all that in part 5
Liszt-Transcendental Etude No 8 Wilde Jagd Part 2
Digging deeper into the score, main themes, the opening
Liszt-Liebestraum in A Flat Major - The Thumb Part 2
Part 2 of an excellent lesson Alan gave in Ohio. Training reflexes, rotation..
Liszt-Transcendental Etude No 8 Wilde Jagd Part 1
A lesson given a few years back in Novi Sad, Serbia. Mini series in a few parts
Liszt-Liebestraum in A Flat Major - The Thumb Part 1
Another recent lesson with a focus on the thumb, orchestration and sound
Liszt - Feux Follets
Another Feus Follets from Kemal Gekic, but from a different recital
Liszt-Chasse-Neige
Transcendental Etude No.12 from Tauberbischofsheim, DE 2015
Liszt-Wilde Jagd Part 3
Alan is heloing Remon get a great sound and become one with the piano
Liszt-Wilde Jagd Part 2
In part 2 we continue working on the opening and that great roaring sound
Liszt-Wilde Jagd Part 1
Alan and Remon are working on the right sound for the opening of this etude
Liszt-La Leggierezza Part 1
Alan and Marc work on the concert etude [entire lesson]
Liszt - Paraphrase de concert sur Rigoletto Part 1
From a mastreclass in Trossingen, Germany 2008
Liszt - Piano Sonata in B minor Part 1
From a workshop in Trossingen, Germany
Liszt - La Campanella - Chopin - G minor Ballade
Unedited lesson from a masterclass Kemal gave in Japan. One hour and 16 minutes long
Liszt - Transcendental Etude No. 7
Alan and Marc are discussing passages, octaves..
Liszt Fantasy on Hungarian Themes
Kemal Gekic - Somus Festival Sombor, Serbia 2014
Glinka - Liszt Tscherkessen March
Kemal's performance in Sombor, Serbia - Somus Festival 2014
Liszt Paganini Etude No 2 E flat
More on arch and hand structure in passages
Kemal Gekic - Erlking DVD
The only DVD Kemal has ever released. A valuable insight into playing one of the most versatile piano players today.