Kemal Gekic
Flamboyant, daring, provocative, exciting, seductive and sensitive are some of the words used to describe one of today’s most formidable pianists, Kemal Gekic, whose playing has been acclaimed worldwide by public and critics alike. His daring approach to tone and form, marked him as a maverick in the musical world, a distinction he welcomes: the very strength of his artistry challenges, provokes, intrigues. “Gekic rides the charismatic edge of genious” R. Dyer, Boston Globe “He is something like a general who has learned all the rules in the book and is therefore free to ignore them in the time of war” James Roos, Miami Herald “His playing is transcendental as well as incandescent” John Ardoin, Dallas Morning News Performing worldwide from a vast repertoire, Kemal Gekic presents fascinating, uncompromising and ever-changing interpretations , always generating frenzied audience enthusiasm. As a recording artist, Kemal Gekic has won accolades in Europe, America and Japan for insightful, original views of the music. His outstanding Rossini-Liszt transcriptions (Naxos) won “The Rosette” of The Penguin Guide for Music, while his recording of Liszt’s Transcendental Etudes (JVC) is generally considered to be the best recording of a set in history. Born is Split, Croatia, Kemal Gekic got his early training from Prof. Lorenza Baturina. He graduated the class of Prof.Jokuthon Mihailovic at the Art Academy of Novi Sad and was immediately given a faculty appointment by the piano department which he eventually directed until 1999. Since 1999 he has been Artist in Residence at the Florida International University in Miami, Florida.
Videos
Pace your self with complicated passages or jumps
We have to make sure we can make it and that the music "breathes"
Chopin mazurka Op. 30 No. 4
Kemal's rendition of Chopin's mazurka Op. 30 No. 4 (Montreal, Canada, 1988)
Chopin etude Op. 10 no. 10
Kemal's rendition of Chopin's etude Op. 10 no. 10 (Montreal, Canada, 1988)
Liszt - Mephisto Waltz No. 1
Kemal's rendition of Mephisto Waltz No. 1 (Montreal, Canada, 1988)
Chopin Sonata No. 3 b minor Op.58 - Presto non tanto
Kemal's rendition of Chopin's b minor sonata (Montreal, Canada, 1988)
Chopin Sonata No. 3 b minor Op.58 - Largo
Kemal's rendition of Chopin's b minor sonata (Montreal, Canada, 1988)
Chopin Sonata No. 3 b minor Op.58 - Molto vivace
Kemal's rendition of Chopin's b minor sonata (Montreal, Canada, 1988)
Chopin Sonata No. 3 b minor Op.58 - Allegro maestoso
Kemal's rendition of Chopin's b minor sonata (Montreal, Canada, 1988)
Beethoven - Appassionata Op. 57 III mvt - Allegro ma non troppo - Presto
Kemal's rendition of Beethoven's Appassionata (Montreal, Canada, 1988)
Beethoven - Appassionata Op. 57 II mvt - Andante con moto
Kemal's rendition of Beethoven's Appassionata (Montreal, Canada, 1988)
Beethoven - Appassionata Op. 57 I mvt - Allegro assai
Kemal's rendition of Beethoven's Appassionata (Montreal, Canada, 1988)
What about the Yugoslavian?
Maybe you know the story, maybe not but now we have a video, well, almost from that event where Alan stood up and yelled in the middle of Montreal piano competition finalist announcement.
Quiet as Cinderella
Kemal focuses on explaining how different sounds can bring out a variety of different characters
Singing Thumb
We are still working on the theme and the hidden voice in the middle
That One Melodic Line
Accompaniment needs to stay below and the piece needs to have some character
Prokofiev is Polyphony
We are kicking off this series with a performance and a little discussion on musical character and polyphony in Prokofiev's works
Liszt Paganini Etude No 2
04:37
Liszt Paganini Etude No 2
04:49
Not too much Pedal
and a few other things too. Remember, this is a Paganini etude