We are looking into the opening sequence of this nocturne and basically we don't want to push the buttons so to way only. We want to be continually orientated on the keyboard instead
This is how you produce multi layered beauty of sound
Trills at the end
Fingers alone can't do much, use your arms
Don't swivel, stand and move laterally
Moving the same way the note is moving, musically
A student has an unusual take on this Nocturne's tempo. But is that the only issue here?
Young pianist and Alan working on the famous nocturne
Kemal plays Chopin Nocturne
Op.48 No.1 played by Kemal Gekiic
Entire, unedited lesson on Chopin's Nocturne
Alan discusses voicing, figuration, melodic lines and shaping in e minor Chopin's Nocturne
Alan is talking about artistic expressive logic
The first upload this year
This part is really on the rotation of the hand
Alan likes Christine's performance and he is analyzing it in this part 1
This part is all about the thumb and hand structure
Kay feels like there is something missing in her playing. Her left hand is struggling and it's not able to keep up.
Carol had RSI and Alan is helping her gain better sonority. They are also talking about the arch and coloring in this part 1.
Arches of the hand, hand structure...
Really nice points on the performance and great discussion on technique in the second part of the lesson
C minor nocturne and the first Frederyk's lesson with Alan. We are just getting started!