Kemal
83 videos tagged with this topic.
What about the Yugoslavian?
Maybe you know the story, maybe not but now we have a video, well, almost from that event where Alan stood up and yelled in the middle of Montreal piano competition finalist announcement.
Liszt Paganini Etude No 2
04:37
Liszt Paganini Etude No 2
04:49
Not too much Pedal
and a few other things too. Remember, this is a Paganini etude
Liszt Paganini Etude No 2
07:48
It Needs to Sound
No matter what you think about the music or the score, it really needs to sound/resonate/vibrate..
Kemal Gekic Recital - Kragujevac, Serbia 2017
06:21
Kemal Gekic Recital - Kragujevac, Serbia 2017
17:07
Kemal Gekic Recital - Kragujevac, Serbia 2017
06:36
Kemal Gekic Recital - Kragujevac, Serbia 2017
02:37
Kemal Gekic Recital - Kragujevac, Serbia 2017
02:58
Kemal Gekic Recital - Kragujevac, Serbia 2017
05:17
Kemal Gekic Recital - Kragujevac, Serbia 2017
06:20
Kemal Gekic Recital - Kragujevac, Serbia 2017
09:49
Kemal Gekic Recital - Kragujevac, Serbia 2017
10:16
The Whole Structure of the Piece
We are talking about the structure and Kemal points out that everything played must really sound well
Konigsfeld 2015 - Prelude and Fugue WTC I in c Minor
Kemal plays Bach - Prelude and Fugue in c Minor WTC I
Arm Weight Technique and Antigravity
What allows us to produce tones that have musical value and no agression in them?
Interesting Harmonies
We are covering dolce appassionato and presto sections and talking about the character, harmonies..
Konigsfeld 2015 - Prelude and Fugue WTC I in E Flat Major
E flat major prelude and fugue WTC I
Konigsfeld 2015 - Prelude and Fugue B Flat Major WTC I
Kemal plays Bach - Prelude and Fugue B Flat Major WTC I
Konigsfeld 2015 - Bach-Prelude and Fugue C Sharp Minor-WTC I
Kemal plays Bach Prelude and Fugue in C# WTC I
It's All About the Atmosphere
You can play all the notes but the "atmosphere" has to be there
Striking Effects
We are talking about dynamics and some interesting effects one should do when playing this waltz
Suggestion-Accents-Non-Accents
Kemal is looking for a specific dirty sound and explains the difference between accents and non accents
What is this Waltz All About
Stefan performs for Kemal and they start working on the piece, trying to understand what it is about.
Liszt-Transcendental Etude No 8 Wilde Jagd Part 8
Part 8, more on dynamic levels, articulation and voicing.
Liszt-Transcendental Etude No 8 Wilde Jagd Part 7
As we progress throughout the etude, we get to talk about sound levels
Liszt-Transcendental Etude No 8 Wilde Jagd Part 6
We are talking about the main two themes, artistic freedom and getting down to the nitty gritty of this etude.
Liszt-Transcendental Etude No 8 Wilde Jagd Part 5
Metric, dynamic contrasts, a bit more on Liszt and how he composed..all that in part 5
Liszt-Transcendental Etude No 8 Wilde Jagd Part 2
Digging deeper into the score, main themes, the opening
Liszt-Transcendental Etude No 8 Wilde Jagd Part 1
A lesson given a few years back in Novi Sad, Serbia. Mini series in a few parts
Rachmaninoff - Musical Moments Part 3
We are digging in a bit deeper into the score in this Part 3
Rachmaninoff - Musical Moments Part 1
Kemal working with a student on two musical moments
Bach-Prelude and Fugue WTC II in G Minor
Liszt Etude - Bach Prelude and Fugue, that is the pattern
Liszt - Feux Follets
Another Feus Follets from Kemal Gekic, but from a different recital
Bach - Prelude and Fugue B Flat Major WTC I
Another performance of prelude and fugue in B flat major, this time from Tauberbischofsheim
Liszt-Chasse-Neige
Transcendental Etude No.12 from Tauberbischofsheim, DE 2015
Bach-Prelude and Fugue WTC II G Minor
Another prelude and fugue in this recital
Prokofiev - Waltz Op 102 No 1 Part 1
Kemal is helping a student with Prokofiev Waltz
Elastic Release and Extensors
Alan talks about elastic loading, stretch reflex, Kemal Gekic, Taubman
Liszt - Paraphrase de concert sur Rigoletto Part 1
From a mastreclass in Trossingen, Germany 2008
Liszt - Piano Sonata in B minor Part 1
From a workshop in Trossingen, Germany
Chopin - Scherzo Op. 31 in B flat Part 1
Kemal starts working with a student with a simple question. What do you think this composition is all about?
Liszt - La Campanella - Chopin - G minor Ballade
Unedited lesson from a masterclass Kemal gave in Japan. One hour and 16 minutes long
Glinka - Liszt Tscherkessen March
Kemal's performance in Sombor, Serbia - Somus Festival 2014
Poulenc - Suite for Piano in C Part 1
Mini series on Suite in C with Kemal Gekic
Chopin - Etude Op.10 No.4 Part 1
Kemal is explaining what this etude is all about.
Kemal Gekic - Erlking DVD
The only DVD Kemal has ever released. A valuable insight into playing one of the most versatile piano players today.