10 years ago by
A Pianist
Argerich's use of her hands is my model. Rarely could I find even a slight unnecessary waste of energy. (which I can find even in Horowitz's playing, but I've to agree my view might be too narrow)
Here's her octaves. It's interesting to see at the last 2 notes, which most pianists would press hard because those are slow anyway, she hit the notes with only momentary muscle contraction. You can see that by noting that there's a kind of reaction of such contraction moving her then relaxed, floating arm and wrist.
The catch, or rather the result of her sound, is that it becomes more penetrating, vibrant, but not the thick and round tone many pianists are looking for. (get by moving in a controlled, somehow tense manner into the keys)
I personally couldn't find a way to produce the round, thick, singing tone with the Argerich kind of efficient motion......
Anyone any ideas?
I wish I could get this DVD.... again who knows where I can buy it?