Alan describes his second book, that takes the hand from a solid structurality to a new state of freedom: unstable equilibrium
Hand structure will give you the means - Part 4 - Rachmaninov Prelude Op.32 No.12 in G sharp minor
Part 3 - Rachmaninov Prelude Op.32 No.12 in G sharp minor
Also, playing with the thumb does not mean your hand has to drop
Alan is explaining how to create open, singing sound
Empowered structure = the piano's voice
Asked by: markeog
Maybe your hand structure is really good but if it doesn't move, your fingers are blocked
And that goes for everything you play
It affects the sound as well as induces tension in the wrist and forearm
Asked by: Ingela
The structure needs to be elastified
Changing the angle of the hand does not help muscles and they stop working.
We are actually braking the hand structure and figuring out what is needed here
The difference between solidifying the structure/internal movement and the sound we get by doing so
via Liszt's Mephisto Waltz No. 3, Alan talks about long term structures in music and planning
Chopin's Etude Op.25 #1 - Ohio, November 2016
Muscles, hand, arch, movement
Asked by: Barbara
Alan wraps up the lecture and the series by talking about palm, harpsichord, walking..
How do we make up the lost time and get up to speed with the propper technique
Alan talks about the flat but active structure and the thumb
Alan helps a student iron out his scales
Thumb's role and function in a healthy structure
The importance of movable structure when playing the piano
Alex just had his first lesson with Alan. He learns how to use his hands efficiently
Application of Newton's third law on hand's structure