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Basics of piano somatics

From a lecture given in Berlin, January 2023

Piano technique teaacher
Your teacher

Alan Fraser

Born in Montreal in 1955 Alan Fraser studied piano but also delved into composition, cello, classical singing and had several stints as a pop musician. Alan’s main pianistic influence was the pioneering research of Phil Cohen who studied alongside Ronald Turini, Andre Laplante and Janina Fialkowska with Yvonne Hubert, who had been Cortot‘s assistant in Paris. Alan spent several years with Cohen after an apprenticeship with two former Cohen students, Alan Belkin and Lauretta Milkman.

16 episodes 48:42 Beginner Ongoing
1
What is arm weight piano technique? 01:42

A quick review of the weighted piano technique from Alan


2
What about finger action piano school? 01:41

Finger action came before arm weight piano school


3
Is there a way to get the best elements from all these piano schools? 02:14

And by doing so, have the pianist feel better when they play


4
What about articulations or orchestration while playing the piano? 02:56

Alan is taking ideas from Feldenkrais and applying it to piano technique


5
Biceps and triceps are a very important muscles in piano playing 03:54

Pianists are very good about curling their fingers but is that the movement we actually want?


6
Tension doesn't have to be bad 02:43

Respect the skeletal structure and function


7
Your piano practice should be a reflection of your mind flow 04:40

The music is flowing, so should your body


8
You need to practice intelectually 04:47

As well as understand musical structure and go constantly go through musical decisions


9
We have to move the thumb without "limping" 04:34

Let's face it, the thumb is not like the other four fingers on your hand


10
How to get a smooth scale? 01:46

Scales to the inside


11
Descending scales 00:56

The opposition of the thumb should integrate into the actions of the hand


12
Do you flop your hand while you plays scales or put the thumb under? 02:04

It looks that way but is it?


13
Maintain the standing function of the hand 04:26

There is always a tendency to mess it up


14
Thenar and hypothenar muscles are of utmost importance 02:14

When these muscles "stand up", you have the real power in your hand


15
The real power muscles of the hand 03:55

Work the muscles, don't just relax the hand


16
How should you actually play forte? 04:10

Drop weight or stand up?