Awakening an inert hand
A jazz player who has worked with Barbara Lister Sink has a first encounter with Alan and his teaching
12 episodes
57:59
Intermediate
Finished
Episodes
- 1 When playing the piano, weight is a burden, mass is a tool! The skeleton manages the weight completely 06:06
- 2 The weight in no longer part of the equation The piano lever is always totally free because the skeleton carries the weight 02:37
- 3 You are relaxed, good, now do something Enrich the sensation of the palm to your own advantage 06:26
- 4 If you stand up really well, your forearm is floating Wrists don't have to be high 05:24
- 5 Get the stand up action happening before the arm relaxes Relaxation is present but action needs to happen a bit sooner 04:29
- 6 The cure for tension is action "If you use relaxation to cure tension you replace one problem with another" 03:36
- 7 A couple of exercises to get the hand in shape Building up the arch.. 05:21
- 8 Five metacarpals, five points of contact with the key Feel the thumb metacarpal 06:45
- 9 So many pianists play from the bottom two joins and neglect the metacarpals 00:00
- 10 The movement of thumb opposition is the key The more you oppose the better all the fingers work. Get that power to your hand 04:57
- 11 Activate these things for 10x more power A few simple tips from Alan 02:09
- 12 Real organic connection This series closing episode is packed with useful info 10:09