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Touching The Wrong Keys

10 years ago by
A Pianist
Hi, I'm new here and would like to thank you Prof. Fraser for your wonderful works, I had no idea such thing existed!! Anyway, I've been reading all the posts and either I'm the only one or I just missed, here's my problem: playing/touching the wrong note. I've been studying Chopin's Etude Op. 25 n. 12 and I keep "slipping" between the right notes and the wrong notes, specially with the pinky fingers. I do try and have a correct arch when playing and I have started revising the way my hand position and muscles are working, but no matter what I do it just keeps happening and it's so frustrating, at one point I thought maybe is just not humanly possible to play all the right notes but then I came across Valentina Lisitza in YouTube, that girl doesn't play or slip one wrong note! So, with that being said, what exercises or techniques you could recommend to help me, thanks!
10 years ago by
A Pianist
IMO this has to do with the way these passages are "layed out" physically on the keyboard. The notes go from bass to treble and back again contiuously with out any "kind back and forth" in the middle, like a pendulum.. so you instinctively want to move your arms back and forth the same way. But when you play the notes, if your arms keep moving, you'll slip off the key and make a mistake! So you have to get into this stop-go mentality. Try grouping the notes into chords, for example you'd play LH C-G-C RH Eflat-G-Eflat (I think ..) and then you shift over - STOP - position your hands over the right notes, then play them, then GO - then STOP, etc. It works much more effectively HS than HT. However you never want to stop completely, it's all a single melodic line after all ..
10 years ago by
A Pianist
Thanks for your reply, I'll definitely try that, what is HS and HT, hands together and hands separate? Thanks again!!
10 years ago by
A Pianist
1) Practice block chords with a good strong , and this is the key: with NO PEDAL but leaving as little air space as possible between chords. Fool your ear into thinking you are using pedal! Your brain and muscles will have to go through major changes for you to succeed in this, and those changes are extremely helpful. 2) Practice extremely slowly playing the notes as written but overholding, that is, at the end of each group of three notes, just before you make the shift in position, your fingers should be holding all three notes down. This will show you, if you are observant, - and that weakening of course is the underlying reason for you missing the notes. Repeat this until you can overhold the group at moderate speed with no collapse anywhere. Then overhold less but continue to cultivate that healthy standing in your hand. If your hand provides a firm platform for your fingers to fall from, you won't miss - guaranteed! 3) Practice holding the thumb and second finger notes and rotating your fifth vigorously into its key, slapping that key with as much energy as possible. Wake your fifth up! But don't put too much weight into the slap, it's a sting more than a real hit. If you hit you will strain things... 4) Finally, do it slowly and maximally lifting your fingers, as I show in chapter 8 of my film. This is because it is ACTION that must generate that healthy arch, not structural standing. OK I'd better stop, that's enough for starters... AFF
10 years ago by
A Pianist
Sorry it took me a while to respond, College is sucking life out of me right now. Anyway, I must say you amaze me, I'll definitely try your suggestions and I can't wait to see the results. I'm ordering the DVD and I hope it goes into this graphically 'cause some of the things you said are so new to me they are a little above my head right now, but yet, I'm willing to re-learn everything in order to excel at piano playing and raising my technique a few notches (ok I give in, many many many many notches!!) heheehe, keep up the good work and if you're ever in good ol' Las Vegas drop me a line and let me know. Thanks again, you rock!
10 years ago by
A Pianist
By the way, in #3 above, BE SURE YOU DON'T COLLAPSE YOUR THUMB-FOREFINGER ARCH when you swing the fifth in - that's the key! AFF
10 years ago by
A Pianist
I'll definitely watch for that, thanks again!!!