10 years ago by
A Pianist
Kemal Gekic played recitals for several years running at the Summer Taubmann Institute in Williamstown, but he has never had a lesson with Dorothy Taubmann, Edna Golandsky or any other Taubmann proponent. His teaching originates in a completely different tradition, and he was there only as an honoured guest artist and colleague.
As for the Taubmann tapes, viewing them was an important step for me in clarifying my own ideas (see Aphorisms at alanfraser.net). I strongly object to a piano method whose main aim is to avoid injury. This can be severely limiting and misleading. On the plus side, although I disagree quite strongly with some of Dorothy's ideas, I have seen pianists trained in her method who played really admirably and whose ability clearly stemmed in part from their training. I hold Dorothy in high regard as a pioneer who forced us to think about these matters and who helped many a great deal. And Edna Golandsky is a fine pianist and pedagogue, who, in my opinion, is at her best when she frees herself from the Taubmann dogma and brings her own not inconsiderable musical and technical skills and understanding to bear in her work.