10 years ago by
A Pianist
The documentary you mention sounds like 'Horowitz: A Reminiscence.' He says he doesn't do any external gestures, then plays Vers la Flamme and actually starts fooling around with the 'classic arm out' because it was on his mind...
When I watch this Bach-Busoni clip I can hardly think about his hands at all, the musicianship is so amazing - he is hearing how the voices speak to each other, he is hearing what one voice has to say - this is UNDERSTANDING.
But his hands and his whole physical being remind me about what I am now discovering myself on the Landowska Steinway: the hands seeming to do nothing, and yet doing everything, arises from an amazing inner quietness that allows one to sense the keys to incredibly fine tolerances, and to make a movement so precise that the sound is chiseled with virtually no effort.
By the way, the man you hear and see speaking with Horowitz at the end of this clip is Jack Pfeiffer, Horowitz's producer and the man in whose living room the Landowska Steinway lived for 40 years before it came to me...
Thanks for posting this,
AFF