10 years ago by
A Pianist
Indeed amazing speed. And her hands are in great shape, you see her using that arch structure to create an incredibly powerful and capable relationship to the board.
However, believe it or not, her sound could be better! Martha has amazing musicianship and facility and what's most endearing, amazing fire and heart. But although it looks like she is using her hands ideally, if she really were, her sound would be chunkier and have even more colours. She tends to sacrifice some of the deeper colours of her orchestral palette for speed. I'm thinking for instance of her blistering rendition of the Rachmaninoff 3rd concerto. We cannot fault her for this, it is simply her nature.
The walls of my teaching studio at the Academy are graced with portraits and photos of the greatest composers and pianists, donated by Dragolyub Katunats, our history of pianism professor. Interestingly enough, all the composers represented are long dead and most of the pianists too. But there is one still alive - Martha Argerich.
Dragolyub was at the 1960 Warsaw Competition and the night before the finals was out on the town somewhere. There was a wild young girl in the bar with her friends, carousing, drinking up a storm, dancing on the tables. The next morning to his surprise she appears on stage, one of the finalists. It was Martha who went on to win first prize. Oh, and by the way, that morning she decided to play the other concerto from the one she had listed in her program, and sent all the orchestra members scurrying for their parts...
AFF