We not only need to radiate the stand up motion throughout the body but also look into hand body relationship
Don't follow the finger down into the key
Trifonov and microtiming
Rhythm is music meter are not the same thing
to get it out of certain patterns
and it must be inflected
Go to the hypermeasure without losing any of the subordinate rhythmic patterns
Alan introducing the concept of rhythmic differentation
Alan talks about the beginning of his work with Kemal
There must be no "compression" in your playing
Carter's rhythm is a bit off and Alan jumps in to help.
Charles Aschbrenner, creator of Pulse Patterning discusses use of pelvis with Alan
